Initially, I will teach students how to play these rhythm patterns in a two handed manner as one might use to accompany a singer or fit within a group. Next, I will explain how to move these rhythms solely to the left hand, thus leaving the right hand free to add melodic elements. We will work together to write our own songs in this session. Using classic tunes as well as original tunes, we will take a look at story telling and various styles of musical compositions to accompany our stories.
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Blues Guitar Licks With Major Thirds - Not Playing Guitar
Playing all 6 strings will be a work in progress, so we learn simpler 3-string versions to start jamming with immediately. Also, first blues scales to solo against these chords with and starter finger exercises. Also, brief tuning information and initial pick advice. Play along with me live.
Major Scale Licks
So why do you want to use the mixolydian scale for blues? And as you might know, the dom7 chord is the main ingredient for blues music. Now you know how the mixolydian scale is build up, you want to know how to combine mixolydian and pentatonic into your improvisation. The trick is to take bits and pieces of the mixolydian scale, create small melodic phrases with just a few notes and sneak it into the pentatonic scale to make it sound natural, coherent and satisfying to the ear.
They are important chord tones that you can highlight when improvising. For example, a Cadd9 chord is a C Major chord with an added 9th D. For 9th chords, you need the entire sequence of root, third, fifth, seventh, ninth. Omit chords — These chords simply omit a note from the chord. Chords are often played with omitted notes, but it is rarely specified.